RESUMO
Throughout time from antiquity, the major objective of crutches was to restore, as close as possible, the functional capacity formerly held by a limb deficient person. The crutch is probably the oldest tool of the orthopaedist. It is probably also the most neglected in terms of progress from antiquity until the 20th century. The aim of this paper is to give a view of the different crutches used in this period by different people and to observe the influence of this period on the progress of the design of crutches.
Assuntos
Muletas/história , Pessoas com Deficiência/história , Medicina nas Artes , Ortopedia/história , Pinturas/história , Pessoas com Deficiência/reabilitação , Desenho de Equipamento/história , História do Século XV , História do Século XVI , História do Século XIX , História do Século XX , História Antiga , História Medieval , Humanos , Hanseníase/complicações , Hanseníase/história , Poliomielite/complicações , Poliomielite/históriaRESUMO
Historical research was carried out with documentary analysis and oral history aiming at describing the biography and reviewing the painting of Veganin. Luiz Carlos de Souza was born in 1950 in Aimorés (MG) and at age of 16 years he was working in nursing at the Santa Casa de Misericórdia in Belo Horizonte. With 20 years he was hospitalized in Colônia Santa Isabel and is now known as " Veganin" . In Colônia worked in nursing, carpentry and painting. He painted in the style of Pop Art the tables's Via Sacra where shows the Passion of Christ with originality and social criticism. In his paintings he presents his resilience front of the disease and treatment. Died in Colônia Santa Fé (MG) in 1997.
Assuntos
Cristianismo/história , Hanseníase/história , Pinturas/história , Brasil , História do Século XXRESUMO
Foi realizada pesquisa histórica com análise documental e história oral objetivando descrever a biografia e analisar a pintura de Veganin. Luiz Carlos de Souza nasceu em 1950 em Aimorés (MG) e aos 16 anos foi trabalhar na enfermagem na Santa Casa de Misericórdia de Belo Horizonte. Com 20 anos foi internado na Colônia Santa Isabel (MG) e passou a ser conhecido como " Veganin" . Na Colônia trabalhou na enfermagem, marcenaria e pintura. Pintou no estilo da Pop Art os quadros da Via Sacra onde mostra a Paixão de Cristo com originalidade e crítica social. Nos quadros apresenta sua resiliência frente à hanseníase e ao tratamento. Faleceu na Colônia Santa Fé (MG) em 1997.
Historical research was carried out with documentary analysis and oral history aiming at describing the biography and reviewing the painting of Veganin. Luiz Carlos de Souza was born in 1950 in Aimorés (MG) and at age of 16 years he was working in nursing at the Santa Casa de Misericórdia in Belo Horizonte. With 20 years he was hospitalized in Colônia Santa Isabel and is now known as " Veganin" . In Colônia worked in nursing, carpentry and painting. He painted in the style of Pop Art the tables's Via Sacra where shows the Passion of Christ with originality and social criticism. In his paintings he presents his resilience front of the disease and treatment. Died in Colônia Santa Fé (MG) in 1997.
La investigación histórica se llevó a cabo con análisis documental y la historia oral con el objetivo de describir la biografía y la revisión de la pintura de Veganin. Luiz Carlos de Souza nació en 1950 en Aimorés (MG) y a la edad de 16 años estaba trabajando en enfermería en la Santa Casa de Misericordia de Belo Horizonte. Con 20 años fue hospitalizado en Colônia Santa Isabel y que ahora se conoce como " Veganin" . En Colônia trabajado en enfermería, carpintería y pintura. Pintó en el estilo Pop Art de los cuadros del Vía Sacra, donde se muestra la Pasión de Cristo con la originalidad y la crítica social.Los cuadros muestran su resistencia en relación la enfermedad y el tratamiento. Muerto en Colônia Santa Fé (MG) en 1997.
Assuntos
História do Século XX , Cristianismo/história , Hanseníase/história , Pinturas/história , BrasilRESUMO
This is a brief study on the popular ideas about leprosy based on an 18th century wall painting in north-western Croatia portraying Saint Elisabeth healing a sick man, possibly a leper. The analysis uses examples from the history of medicine, semantics, toponymy and iconography.
Assuntos
Hanseníase/história , Medicina nas Artes , Pinturas/história , Croácia , Pessoas Famosas , História do Século XVIII , História Medieval , Humanos , Masculino , Religião e Medicina , Santos/história , SemânticaRESUMO
This is a brief study on the popular ideas about leprosy based on an 18th century wall painting in north-western Croatia portraying Saint Elisabeth healing a sick man, possibly a leper. The analysis uses examples from the history of medicine, semantics, toponymy and iconography.
Assuntos
Masculino , Humanos , História Medieval , História do Século XVIII , Croácia , Hanseníase/história , Medicina nas Artes , Pinturas/história , Religião e Medicina , Santos/história , Semântica , Pessoas FamosasAssuntos
Arte/história , Hanseníase/história , Medicina nas Artes , Pinturas/história , Alemanha , História do Século XV , HumanosRESUMO
The attempt was made to register differential dermatological diagnosis in the right-hand section and the centrepiece of the "Sebastiansaltar" by Holbein the Elder in the Alte Pinakothek, Munich. Obviously the paintings show cases of lepromatous leprosy.